SFB/FK-427 Medien und kulturelle Kommunikation

Dr. Jin Hyun Kim

Short CV

  • Born in Seoul
  • B.A. in Music Theory at the Seoul National University
  • M.A. in Musicology (major: Systematic Musicology) and Philosophy at the Hamburg University
  • Ph.D. with a German Doctoral Thesis on embodiment in interactive music and media performances – taking into account perspectives from media theory and cognitive science (summa cum laude)
  • Lecturer in Systematic Musicology and Media Science at the University of Cologne (since 2002)
  • Postdoctoral researcher at the Cluster of Excellence "Languages of Emotion" at the Free University Berlin (since October 2009)
  • Postdoc visiting research fellow at the University of Ghent within the scope of the research project "Embodied Music Cognition & Mediation Technologies for Cultural/Creative Applications" (summer term 2009)
  • Postdoctoral research assistantship at the University of Osnabrück funded by DAAD (January - December 2009)
  • Research projects funded by the German National Research Foundation (DFG): A 7.3 "Transcriptive Interaction" (2002-2004); C10 "Artistic Interactivity in Hybrid Networks" (2005-2008) in cooperation with the Deparment of Systematic Musicology at the University of Cologne and the Department of Sound and Media Studies at the Academy of Media Arts Cologne
  • Participation in the Summer School on Computer Music at the Institut de Recherche et Coordination Acoustique/Musique (IRCAM) in Paris (June 2001); in the Pythagoras Summer School in Cognitive Musicology at the University of Jyväskylä in Jyväskylä (August 2001); in the HUMAINE (Human-Machine Interaction Network on Emotion) Summer School at the International Center of Excellence "Casa Paganini" in Genoa (September 2006)
  • Teaching at the International Summer School in Systematic Musicology (ISSSM-07 and ISSSM-08) and at the International Summer School in Systematic, Comparative and Cognitive Musicology (ISSSCCM-09)

Research interests

  • New Media Theory
  • Embodiment and Situatedness in Media Theory and Cognitive Science
  • Mediality of Asithesis and Cognition
  • Interactive Music und Media Performances
  • Music, Cognition and Emotion
  • Musical Expressiveness and Empathy
  • Methodology of Music Research

Teaching courses at the University of Cologne (in German)

  • 2002 – 2003: (study group) Interactive Music System: Max/MSP [co-leader: Franca Lohmann]
  • Winter term 2002/2003: (proseminar) Affective Computing
  • Summer term 2003: (proseminar) Interactive Music Systems and works since the middle of the 1980s
  • Winter term 2003/2004: (reading course) Semiotics of Music [together with Prof. Dr. Uwe Seifert]
  • Summer term 2004: (exercise) Gesture controlled sound generation (with introduction into Max/MSP und SuperCollider) [together with Alberto de Campo, M.A.]
  • Winter term 2005/2006: (exercise) Embodiment in algorithmic music and media art
  • Winter term 2006/2007: (proseminar) Experimental Interfaces in Music and Media Art [video-based online conference course in cooperation with the Academy of Art Bern, Leuphana Lüneburg University, University of Osnabrück and the Studio for Electro-Instrumental Music (STEIM) Amsterdam, together with Prof. Dr. Bernd Enders, Dr. Rolf Großmann, Prof. Michael Harenberg and Prof. Dr. Uwe Seifert]
  • Winter term 2007/2008: (exercise) Music and Emotion: Theoretical and Experimental Research I
  • Summer term 2008: (exercise) Music and Emotion: Theoretical and Experimental Research II
  • Summer term 2008: (proseminar) Music Research from a Media Theory Point of View
  • Winter term 2008/2009: (exercise) Empathy: Mediated Immediacy in Musical Aisthesis
  • Summer term 2009: (proseminar) Mediality of musical aisthesis and cognition
  • Summer term 2009: (seminar) Empirical methods of research on musical interaction in the context of human-computer and human-robot interaction
  • Winter term 2009/2010: (seminar) Mediality of musical communication
  • Winter term 2009/2010: (seminar) Research objects and methods of musical human-computer interaction

Publications

Monographs

  • Kim, Jin Hyun: Musikwissenschaft in der Postmoderne. Zur Legitimationsproblematik von Musikwissenschaft, Osnabrück: epOs 2004.
  • Kim, Jin Hyun: Embodiment in interaktiven Musik- und Medienperformances – unter besonderer Berücksichtigung medientheoretischer und kognitionswissenschaftlicher Perspektiven, Osnabrück: epOs 2010 (in print).
  • Kim, Jin Hyun/Julian Rohrhuber/Uwe Seifert: Situated Algorithms: Cognition and Culture in Media Art and Cognitive Science 2010 (in preparation).
  • Jung, Kyung-Young/Jin Hyun Kim/Heekyung Lee/Meekyung Lee/ Hawsuk Song: Talking about "Music" [in Korean], Seoul: Humanist 2011 (in preparation).

Anthologies

  • Seifert, Uwe/Jin Hyun Kim/Anthony Moore (Eds.): Paradoxes of Interactivity: Perspectives for Media Theory, Human-Computer Interaction, and Artistic Investigations, Bielefeld: transcript 2008.
  • Kim, Jin Hyun/Uwe Seifert (Eds.): Mediality of Music Cognition and Aisthesis 2011 (in preparation).

Articles:

  • Kim, Jin Hyun: »Kurt Blaukopf's Sociology of Music« [in Korean], in: Nangman Umak 27 (1995), pp. 147-176.
  • Kim, Jin Hyun: »EyesWeb System: A multimodal environment for affective interaction of sound and movement« [in Korean], in: EMILLE 1 (2002), pp. 271-283.
  • Kim, Jin Hyun: »Die Singstimme als Ausdruckszeichen. Zur medialen Funktion der Stimme in der Musik«, in: Cornelia Epping-Jäger/Erika Linz (Eds.): Medien / Stimmen, Cologne: DuMont 2003, pp. 250-266.
  • Kim, Jin Hyun: »Transkriptive Interaktion«, in: Christa Brüstle/Albrecht Riethmüller (Eds.): Klang und Bewegung. Beiträge zu einer Grundkonstellation, Aachen: Shaker 2004, pp. 223-240.
  • Kim, Jin Hyun: »Music – Gesture – Interaction: Towards expressiveness in computer-aided interaction of sound and movement« [in Korean], in: EMILLE 3 (2004), pp. 35-58.
  • Kim, Jin Hyun/Maurice Mengel: »Kunst als Symbolsystem. Symboltheoretische Erforschung des künstlerisch-musikalischen Ausdrucks nach Nelson Goodman«, online available: http://www.uni-koeln.de/phil-fak/muwi/hpa7/hpa7_2002/7.3_Schwerpunkte.html (2004).
  • Kim, Jin Hyun: »Trace Theory of Mind and Musical Expressivity«, in: Proceedings of the 2nd International Conference of the Asia-Pacific Society for the Cognitive Science of Music (2005), pp. 122-129.
  • Kim, Jin Hyun: »Musik – Interface – Körper. Inszenierungen des Körperlichen in digitalen Musikpraxen«, in: Neue Zeitschrift für Musik 4 (2006), pp. 40-43.
  • Kim, Jin Hyun/Uwe Seifert: »Embodiment: The Body in Algorithmic Sound Generation«, in: Contemporary Music Review 25/1-2, Special Issue „The Body Technology – Instrument Technology Paradigm“ (2006), pp. 139-149.
  • Seifert, Uwe/Jin Hyun Kim: »Musical Meaning: Imitation and Empathy«, in: Proceedings of the 9th International Conference on Music Perception and Cognition (2006), pp. 1061-1070.
  • Kim, Jin Hyun: »Toward Embodied Musical Machines«, in: Christoph Lischka/Andrea Sick (Eds.): Machines as Agency. Artistic Perspectives, Bielefeld: transcript 2007, pp. 18-33.
  • Kim, Jin Hyun/Uwe Seifert: »Embodiment and Agency: Towards an Aesthetics of Interactive Performativity«, in: Proceedings of the 2007 International Conference of Sound and Music Computing (SMC’07), pp. 230-237.
  • Seifert, Uwe/Jin Hyun Kim: »Entelechy and Embodiment in (Artistic) Human-Computer Interaction«, in: Julie A. Jacko (Ed.): Human-Computer Interaction, Part I, HCII 2007, LNCS 4550, Berlin/Heidelberg: Springer 2007, pp. 929-938.
  • Seifert, Uwe/Jin Hyun Kim: »Towards a Conceptual Framework and an Empirical Methodology in Research on Artistic Human-Computer and Human-Robot Interaction«, in: Ioannis Pavlidis (Ed.): Advances in Human-Computer Interaction. Vienna: In-Tech Education and Publishing 2008, pp. 177-194.
  • Kim, Jin Hyun: »From Interactive Live Electronic Music to New Media Art«, in: Uwe Seifert/Jin Hyun Kim/Anthony Moore (Eds.): Paradoxes of Interactivity: Perspectives for Media Theory, Human-Computer Interaction, and Artistic Investigations, Bielefeld: transcript 2008, pp. 282-297.
  • Jäger, Ludwig/Jin Hyun Kim: »Transparency and Opacity. Interface Technology of Mediation in New Media Art«, in: Uwe Seifert/Jin Hyun Kim/Anthony Moore (Eds.): Paradoxes of Interactivity: Perspectives for Media Theory, Human-Computer Interaction, and Artistic Investigations, Bielefeld: transcript 2008, pp. 44-61.
  • Kim, Jin Hyun et al.: »Embodied Musical Human-Computer and Human-Robot Interaction«, in: Proceedings of 25th Tonmeistertagung 2008, November 13-16 2008, Leipzig.
  • Kim, Jin Hyun: »The Mediality of Interfaces: Towards an Embodied Aesthetics in New Media Performance« [in Korean], in: Beyond Boundaries in the Humanities 2/2 (2009), 117-141.
  • Kim, Jin Hyun: »Embodiment musikalischer Praxis und Medialität des Musikinstrumentes – unter besonderer Berücksichtigung digitaler interaktiver Musikperformances«, in: Michael Harenberg/Daniel Weissberg (Eds.): Klang(ohne)Körper, Bielefeld: transcript 2010 (in print).
  • Kim, Jin Hyun: »Computer in Musik- und Medienperformances – vom geschlossenen Musikinstrument zum Audio-Interaktanten«, in: Rolf Großmann/Michael Harenberg/Klaus Neumann-Braun/Georg Christoph Tholen (Eds.): Hörbilder und Soundkulturen, Basel: Schwabe Verlag 2010 (in print).
  • Kim, Jin Hyun/Luise Springer: »Interaktivität«, in: Ludwig Jäger et al. (Eds.): Signaturen der Medien. Ein Handbuch zur kulturwissenschaftlichen Medientheorie, Munich: Fink 2010 (in print).
  • Seifert; Uwe/Jin Hyun Kim: »Embodiment«, in: Ludwig Jäger et al. (Eds.): Signaturen der Medien. Ein Handbuch zur kulturwissenschaftlichen Medientheorie, Munich: Fink 2010 (in print).
  • Kim, Jin Hyun/Michiel Demey/Dirk Moelants/Marc Leman: »Performance micro-gestures related to musical expressiveness«, in: Proceedings of the 11th International Conference on Music Perception and Cognition 2010 (in print).
  • Buch, Benjamin et al. (one of co-authors): »“playing_robot”: An Interactive Sound Installation in Human- Robot Interaction Design for New Media Art«, in: Proceedings of the Conference on New Interfaces for Musical Expression 2010 (in print).
  • Kim, Jin Hyun/Uwe Seifert: »An approach to studying musical expressiveness beyond perceived and felt emotions« (submitted for a journal publication).
  • Kim, Jin Hyun: »Embodiment of musical expressiveness«, in: Sabine Flach et al. (Eds.) Habitus in Habitat I: Emotion and Motion, Berlin 2010 (in preparation).
  • Lee, Heekyung/Jin Hyun Kim: »Rethinking performativity and orality: Metamorphosis of traditional vocal practices in Korean contemporary music«, in: Christian Utz (Ed.) Unlimited Voices: Vocal Music and Cultural Identity in Japanese, East Asian and Western Music of the 20th and 21th Centuries (in preparation).
  • Kim, Jin Hyun: »Music and Language« [in Korean], in: Kyung-Young Jung/Jin Hyun Kim/Heekyung Lee/Meekyung Lee/Hawsuk Song: Talking about "Music" [in Korean], Seoul: Humanist 2011 (in preparation).
  • Kim, Jin Hyun: »Music and Corporeity« [in Korean], in: Kyung-Young Jung/Jin Hyun Kim/Heekyung Lee/Meekyung Lee/Hawsuk Song: Talking about "Music" [in Korean], Seoul: Humanist 2011 (in preparation).
  • Kim, Jin Hyun: »Music and Mediality« [in Korean], in: Kyung-Young Jung/Jin Hyun Kim/Heekyung Lee/Meekyung Lee/Hawsuk Song: Talking about "Music" [in Korean], Seoul: Humanist 2011 (in preparation).

Postal Address

Freie Universität Berlin
Exzellenzcluster "Languages of Emotion"
Habelschwerdter Allee 45
14195 Berlin
Germany

E-Mail: jhkim@zedat.fu-berlin.de




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