SFB/FK-427 Medien und kulturelle Kommunikation

Dr. Jin Hyun Kim

Short CV

  • Born in Seoul
  • B.A. in Music Theory at the Seoul National University
  • M.A. in Musicology (major: Systematic Musicology) and Philosophy at the Hamburg University
  • Ph.D. with a German Doctoral Thesis on embodiment in interactive music and media performances – taking into account perspectives from media theory and cognitive science (summa cum laude)
  • Lecturer in Systematic Musicology and Media Science at the University of Cologne (since 2002)
  • Researcher at the Cluster of Excellence "Languages of Emotion" at the Free University Berlin (since October 2009)
  • Postdoc visiting research fellow at the University of Ghent within the scope of the research project "Embodied Music Cognition & Mediation Technologies for Cultural/Creative Applications" (summer term 2009)
  • Postdoctoral research assistantship at the University of Osnabrück funded by DAAD (January - December 2009)
  • Visiting research fellow at MARCS Auditory Laboratories at the University of Western Sydney (June 2010)
  • Junior Fellow of Neurosciences and Cognitive Sciences at the Hanse-Wissenschaftskolleg (Institute for Advanced Study) from 2011 to 2012.
  • Research projects funded by the German National Research Foundation (DFG): A 7.3 "Transcriptive Interaction" (2002-2004); C10 "Artistic Interactivity in Hybrid Networks" (2005-2008) in cooperation with the Deparment of Systematic Musicology at the University of Cologne and the Department of Sound and Media Studies at the Academy of Media Arts Cologne
  • Research projects on Musical Aisthesis and (Aesthetic) Empathy funded by the Excellence Initiative of the German Federal Ministry of Education and Research and the German Research Foundation (DFG) as well as the Fritz Thyssen Foundation from 2009 to 2011
  • Participation in the Summer School on Computer Music at the Institut de Recherche et Coordination Acoustique/Musique (IRCAM) in Paris (June 2001); in the Pythagoras Summer School in Cognitive Musicology at the University of Jyväskylä in Jyväskylä (August 2001); in the HUMAINE (Human-Machine Interaction Network on Emotion) Summer School at the International Center of Excellence "Casa Paganini" in Genoa (September 2006)
  • Teaching at the International Summer School in Systematic Musicology (ISSSM-07 and ISSSM-08) and at the International Summer School in Systematic, Comparative and Cognitive Musicology (ISSSCCM-09)

Research interests

  • New Media Theory
  • Embodiment and Situatedness in Media Theory and Cognitive Science
  • Mediality of Asithesis and Cognition
  • Interactive Music und Media Performances
  • Music, Cognition and Emotion
  • Musical Expressiveness and (Aesthetic) Empathy
  • Methodology of Music Research

Teaching courses at the University of Cologne (in German)

  • 2002 – 2003: (study group) Interactive Music System: Max/MSP [co-leader: Franca Lohmann]
  • Winter term 2002/2003: (proseminar) Affective Computing
  • Summer term 2003: (proseminar) Interactive Music Systems and works since mid-1980s
  • Winter term 2003/2004: (reading course) Semiotics of Music [together with Prof. Dr. Uwe Seifert]
  • Summer term 2004: (exercise) Gesture controlled sound generation (with introduction into Max/MSP und SuperCollider) [together with Alberto de Campo, M.A.]
  • Winter term 2005/2006: (exercise) Embodiment in algorithmic music and media art
  • Winter term 2006/2007: (proseminar) Experimental Interfaces in Music and Media Art [video-based online conference course in cooperation with the Academy of Art Bern, Leuphana Lüneburg University, University of Osnabrück and the Studio for Electro-Instrumental Music (STEIM) Amsterdam, together with Prof. Dr. Bernd Enders, Dr. Rolf Großmann, Prof. Michael Harenberg and Prof. Dr. Uwe Seifert]
  • Winter term 2007/2008: (exercise) Music and Emotion: Theoretical and Experimental Research I
  • Summer term 2008: (exercise) Music and Emotion: Theoretical and Experimental Research II
  • Summer term 2008: (proseminar) Music Research from a Media Theory Point of View
  • Winter term 2008/2009: (exercise) Empathy: Mediated Immediacy in Musical Aisthesis
  • Summer term 2009: (proseminar) Mediality of musical aisthesis and cognition
  • Summer term 2009: (seminar) Empirical methods of research on musical interaction in the context of human-computer and human-robot interaction
  • Winter term 2009/2010: (seminar) Mediality of musical communication
  • Winter term 2009/2010: (seminar) Research objects and methods of musical human-computer interaction

Publications

Monographs

  • Kim, Jin Hyun: Musikwissenschaft in der Postmoderne. Zur Legitimationsproblematik von Musikwissenschaft, Osnabrück: epOs 2004.
  • Kim, Jin Hyun: Embodiment in interaktiven Musik- und Medienperformances – unter besonderer Berücksichtigung medientheoretischer und kognitionswissenschaftlicher Perspektiven, Osnabrück: epOs 2012 (in press).
  • Kim, Jin Hyun/Uwe Seifert/Julian Rohrhuber: Situated Algorithms: Cognition and Culture in Media Art and Cognitive Science, Bielefeld: transcript (in preparation).

Anthologies

  • Seifert, Uwe/Jin Hyun Kim/Anthony Moore (Eds.): Paradoxes of Interactivity: Perspectives for Media Theory, Human-Computer Interaction, and Artistic Investigations, Bielefeld: transcript 2008.
  • Kim, Jin Hyun/Uwe Seifert (Eds.): Mediality and Music, Bern: Peter Lang 2012 (in preparation).

Articles:

  • Kim, Jin Hyun: »Kurt Blaukopf's Sociology of Music« [in Korean], in: Nangman Umak 27 (1995), pp. 147-176.
  • Kim, Jin Hyun: »EyesWeb System: A multimodal environment for affective interaction of sound and movement« [in Korean], in: EMILLE 1 (2002), pp. 271-283.
  • Kim, Jin Hyun: »Die Singstimme als Ausdruckszeichen. Zur medialen Funktion der Stimme in der Musik«, in: Cornelia Epping-Jäger/Erika Linz (Eds.): Medien / Stimmen, Cologne: DuMont 2003, pp. 250-266.
  • Kim, Jin Hyun: »Transkriptive Interaktion«, in: Christa Brüstle/Albrecht Riethmüller (Eds.): Klang und Bewegung. Beiträge zu einer Grundkonstellation, Aachen: Shaker 2004, pp. 223-240.
  • Kim, Jin Hyun: »Music – Gesture – Interaction: Towards expressiveness in computer-aided interaction of sound and movement« [in Korean], in: EMILLE 3 (2004), pp. 35-58.
  • Kim, Jin Hyun/Maurice Mengel: »Kunst als Symbolsystem. Symboltheoretische Erforschung des künstlerisch-musikalischen Ausdrucks nach Nelson Goodman«, online available: http://www.uni-koeln.de/phil-fak/muwi/hpa7/hpa7_2002/7.3_Schwerpunkte.html (2004).
  • Kim, Jin Hyun: »Trace Theory of Mind and Musical Expressivity«, in: Proceedings of the 2nd International Conference of the Asia-Pacific Society for the Cognitive Science of Music (2005), pp. 122-129.
  • Kim, Jin Hyun: »Musik – Interface – Körper. Inszenierungen des Körperlichen in digitalen Musikpraxen«, in: Neue Zeitschrift für Musik 4 (2006), pp. 40-43.
  • Kim, Jin Hyun/Uwe Seifert: »Embodiment: The Body in Algorithmic Sound Generation«, in: Contemporary Music Review 25/1-2, Special Issue „The Body Technology – Instrument Technology Paradigm“ (2006), pp. 139-149.
  • Seifert, Uwe/Jin Hyun Kim: »Musical Meaning: Imitation and Empathy«, in: Proceedings of the 9th International Conference on Music Perception and Cognition (2006), pp. 1061-1070.
  • Kim, Jin Hyun: »Toward Embodied Musical Machines«, in: Christoph Lischka/Andrea Sick (Eds.): Machines as Agency. Artistic Perspectives, Bielefeld: transcript 2007, pp. 18-33.
  • Kim, Jin Hyun/Uwe Seifert: »Embodiment and Agency: Towards an Aesthetics of Interactive Performativity«, in: Proceedings of the 2007 International Conference of Sound and Music Computing (SMC’07), pp. 230-237.
  • Seifert, Uwe/Jin Hyun Kim: »Entelechy and Embodiment in (Artistic) Human-Computer Interaction«, in: Julie A. Jacko (Ed.): Human-Computer Interaction, Part I, HCII 2007, LNCS 4550, Berlin/Heidelberg: Springer 2007, pp. 929-938.
  • Seifert, Uwe/Jin Hyun Kim: »Towards a Conceptual Framework and an Empirical Methodology in Research on Artistic Human-Computer and Human-Robot Interaction«, in: Ioannis Pavlidis (Ed.): Human-Computer Interaction. Vienna: In-Tech Education and Publishing 2008, pp. 177-194.
  • Kim, Jin Hyun: »From Interactive Live Electronic Music to New Media Art«, in: Uwe Seifert/Jin Hyun Kim/Anthony Moore (Eds.): Paradoxes of Interactivity: Perspectives for Media Theory, Human-Computer Interaction, and Artistic Investigations, Bielefeld: transcript 2008, pp. 282-297.
  • Jäger, Ludwig/Jin Hyun Kim: »Transparency and Opacity. Interface Technology of Mediation in New Media Art«, in: Uwe Seifert/Jin Hyun Kim/Anthony Moore (Eds.): Paradoxes of Interactivity: Perspectives for Media Theory, Human-Computer Interaction, and Artistic Investigations, Bielefeld: transcript 2008, pp. 44-61.
  • Kim, Jin Hyun et al.: »Embodied Musical Human-Computer and Human-Robot Interaction«, in: Proceedings of 25th Tonmeistertagung 2008, November 13-16 2008, Leipzig, S. 359-406.
  • Kim, Jin Hyun: »The Mediality of Interfaces: Towards an Embodied Aesthetics in New Media Performance« [in Korean], in: Beyond Boundaries in the Humanities 2/2 (2009), 117-141.
  • Kim, Jin Hyun: »Embodiment musikalischer Praxis und Medialität des Musikinstrumentes – unter besonderer Berücksichtigung digitaler interaktiver Musikperformances«, in: Michael Harenberg/Daniel Weissberg (Eds.): Klang (ohne) Körper. Spuren und Potenziale des Körpers in der elektronischen Musik, Bielefeld: transcript 2010, pp. 105-117.
  • Kim, Jin Hyun: »Towards Embodiment-Based Research on Musical Expressiveness«, in: Sabine Flach et al. (Eds.) Habitus in Habitat I: Emotion and Motion, Bern: Peter Lang 2010, pp. 245-260.
  • Kim, Jin Hyun/Michiel Demey/Dirk Moelants/Marc Leman: »Performance Micro-Gestures Related to Musical Expressiveness«, in: Proceedings of the 11th International Conference on Music Perception and Cognition 2010, 827-833.
  • Kim, Jin Hyun et al.: »playing_robot: Investigation of situated cognition in the context of (artistic) human-robot interaction design, in: Proceedings of the 1st IROS 2010 Workshop on Robots and Musical Expressions 2010 (IWRME-01), 65-72.
  • Buch, Benjamin et al. (one of co-authors): »“playing_robot”: An Interactive Sound Installation in Human- Robot Interaction Design for New Media Art«, in: Proceedings of the Conference on New Interfaces for Musical Expression 2010 (NIME 2010), 411-414.
  • Kim, Jin Hyun/Meebae Lee: »Beyond Western Precepts: Toward a Post-Globalization Discussion in Musicology«, in: Proceedings of the Conference on Negotiating 'the West' Music(ologoc)ally, April 11-12, 2011, Utrecht/Netherlands.
  • Kim, Jin Hyun: »Computer in Musik- und Medienperformances – vom geschlossenen Musikinstrument zum Audio-Interaktanten«, in: Rolf Großmann/Michael Harenberg/Klaus Neumann-Braun/Georg Christoph Tholen (Eds.): Hörbilder und Soundkulturen, Basel: Schwabe Verlag 2011 (in press).
  • Seifert; Uwe/Jin Hyun Kim: »Embodiment«, in: Christina Bartz et al. (Eds.): Signaturen der Medien. Ein Handbuch zur kulturwissenschaftlichen Medientheorie, Munich: Fink (in press).
  • Kim, Jin Hyun: »Methodological Considerations concerning the Musical Creative Process«, in: Proceedings of International Conference Tracking the Creative Process in Music, 29.9.-1.10.2011, Lille (in preparation).
  • Kim, Jin Hyun: »What Dance and Music Share: Dynamic Forms of Movement and Action-Based Aesthetic Empathy«, in: Stephanie Schroedter (Ed.): Bewegungen zwischen Hoeren und Sehen / Movements between Hearing and Seeing, Wurzburg: Konigshausen & Neumann 2012 (in press).
  • Kim, Jin Hyun: »Action-Based Aesthetic Empathy in Musical Behavior«, in: Jin Hyun Kim/Uwe Seifert (Eds.): Mediality and Music, Bern: Peter Lang (in preparation).
  • Kim, Jin Hyun/Uwe Seifer: »Mediality and Music: Introduction«, in: Jin Hyun Kim/Uwe Seifert (Eds.): Mediality and Music, Bern: Peter Lang (in preparation).

Postal Address

Hanse-Wissenschaftskolleg (HWK)
Institute for Advanced Study
Postfach 13 44
27733 Delmenhorst
Germany

Freie Universität Berlin
Cluster of Excellence "Languages of Emotion"
Habelschwerdter Allee 45
14195 Berlin
Germany

E-Mail: jhkim@zedat.fu-berlin.de




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